Judy Pace

About Judy Pace

"Daily Variety", many publications and critics called Judy Pace one of the most beautiful women to ever appear on screen. In the 1970s she was the personification of black beauty, but restricting her to just being a "black" beauty is a slap in the face because she's a beauty, period. Most importantly, however, she was a fine actress. She became a familiar face in the 1970s on the big and little screens, appearing in the most popular blaxploitation movies and popular television shows like Batman (1966), Bewitched (1964), The Flying Nun (1967), I Spy (1965), The Young Lawyers (1969), Mod Squad (1968), Brian's Song (1971), That's My Mama (1974), Sanford and Son (1972) and What's Happening!! (1976), among others. Her presence was always welcoming, warm, sexy but innocent. She was truly graceful and a vision of loveliness. But don't make the mistake of knowing her for just beauty. She was truly a grand actress. Her dark-brown complexion is always mentioned because she was the first dark-complected beauty on-screen. She proved to whites and blacks alike that beauty doesn't discriminate and a woman with dark skin can be a beauty, too.Judy Pace was born and raised in Los Angeles, California. She came from a humble upbringing. After graduating from high school, she attended Los Angeles City College, where she majored in sociology. Always striking, she was taught modeling by her sister, then got an offer to join the prestigious Ebony Fashion Fair; she auditioned and became the youngest model for the show. Modeling was something new and adventurous for Judy. She went on to model in many leading publications that catered to both black and white audiences. Judy had no aspirations to be a movie or TV star until director William Castle saw her pictures in "Ebony" magazine and chose her for a part in his film, 13 Frightened Girls (1963). She received favorable reviews and showed great potential as an actress. She realized that she was meant to be an actress so she began taking acting classes and performing in L.A. theater. Small parts on television and films started coming her way, leading to bigger and better roles, such as Three in the Attic (1968), in which she played one of three femme fatales who band together to turn the tables on a white gigolo by loving him to death. This film was one of Hollywood's first interracial love/sex movies. Judy played her part so daringly, enticingly and erotically that you forgot her race and color and were hypnotized by her powerful aura.Judy had nothing but success from then on. After losing out to Diahann Carroll for the lead role in Julia (1968) that seemed meant for her, Judy found TV success in the nighttime soap opera Peyton Place (1964). She played "Vickie Fletcher", television's first black female antagonist. Judy was excellent as the manipulative, lying, cheating, backstabber who ruins the life of everyone who crosses her path. When the series was canceled, others found it hard to find work but Judy didn't. She was given the lead in a made-for-TV movie called The Young Lawyers (1969). Judy played one of three young lawyers who took on cases dealing with the poor and oppressed. The film would later be turned into a weekly series, with Judy reprising her role.The 1970s was the start of a new, exciting, experimental era that'll never be seen again. It was the era of black power and black beauty. Judy, more than anyone, exemplified that era of thinking. She was black and beautiful, truly. She was the "new" bla...

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"BEAUTY & THE BALLER" * DEBUTS WITH 2 EPS.* SAT. 7-22 * 7-9PM * BET CENTRIC * :30 COMMERCIAL

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